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Take a closer look at Lara's Guad on this gallery page
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ESSAYS |
Lara and Louise's list of great names
These are all names of real people they have come across over the years.
Lara's parents
A loving tribute to the two who made it all possible
Joey Corpus
Lara's teacher and mentor from 1985 to the continuous present
Lara's near-death experience
The scary look in Lara's own words at her horrifying ordeal that landed her in the hospital in critical condition.
The buried Guad
A look at the extraordinary history of Lara's Guadagnini - loaned to her by an anonymous donor - which brings to mind The Red Violin. With many detailed photos.
Airlines
In order of Lara's preference
Why not to take KLM
A hilarious account of one of Lara's transatlantic flights
Three tips for concertgoers
Or how to sneak in when nobody's lookin'
Ketchup in Scarborough
"So I played this recital last night in a little town on the Hudson..."
An interview that pissed me off
An interview with the Toronto Globe and Mail that got Lara steaming.
Lara's view on scales and technical exercises
An informative and insightful look at early training and what young students should look for.
Lara's top 10 travel tips
In the first 7 months of 2000, Lara travelled to Europe 7 times, once to Central America, and once to China, as well as numerous trips within the US and Canada. So, take it from the expert.
Just another day in the life of a touring violinist - Not!
Take a sneak peek at what surprises can lurk around the corner when you least expect them - a true story.
Lara responds
Hear arguments pro and con Lara's controversial album covers.
Lara speaks about pure intonation
In response to a music critic.
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Letter to a former owner of Lara's Guad
July 5, 1984
Dear Mr. Engelman,
It is my pleasure to tell you what I know of the history of your J.B. Guadagnini violin, dated 1779 (but known to be of a later date), ex-Salabue and ex-Harry Ben Gronsky.
This violin, I, and my father before me, have loved and admired above all others ever seen, yes, including the works of Stradivarius and Guarnerius.
My father first saw the violin some fifty-six years ago when it was presented to him by Mr. Roy Gronsky, who had been searching for a suitable instrument for his extremely talented son, Harry Ben Gronsky. Mr. Gronsky said only that he had found a violin in Long Beach and wondered what my father, Abraham Koodlach, thought of it. At one glance my father pronounced it to be the most beautiful violin he had seen in his life, equalling if not excelling the great masters in craftsmanship and varnish. Needless to say, Mr. Gronsky purchased it immediately, never revealing who the previous owner was. (Only recently, reading the history of the violin in The Strad magazine of August 1971, page 542, did I learn that gentleman was a Mr. Chapman, a name unfamiliar to me.)
Harry Ben was fifteen years old at the time and he used the violin from then on. He was close to our family and came to our modest home in Los Angeles from Pasadena, driving with his father in a big, tall Lincoln car, every Sunday afternoon for coaching with my father ... I can recall them working together on the G minor Bruch concerto, especially. He also studied with more famous teachers, Kalman Lubovitsky and the illustrious Efrem Zimbalist.
The highlight of his career was his performance of the G minor Bruch concerto with the Los Angeles Philharmonic Orchestra in the Hollywood Bowl. My father and I attended that memorable concert. Harry Ben played magnificently and the sound, so beautifully rich and full, that came forth from the Guadagnini has never been surpassed, in my opinion.
Harry Ben Gronsky seemed to be a rare gift from Heaven to our Earth. His character and spirit were truly angelic, as was his talent. It is difficult to describe the radiance and purity of the boy and his musicality; in any case, this Guadagnini violin was the perfect instrument for the expression of his Art. Unfortunately, Harry Ben contracted tuberculosis of the kidney and died in 1931 at the age of eighteen. Brief as his life was, he was so unusual that his memory remains vividly alive to those who were fortunate enough to know him.
After Harry Ben's death, I sold the violin to a very fine violinist in Los Angeles, Erno Neufeld, who later sold it again. From then on I heard no more of its whereabouts until last New Year's Eve (Dec. 31, 1983), when this same Erno Neufeld, at a party in Palm Springs, happened to mention that Mr. Ted Marchetti, of Columbus, Ohio, was offering it for sale.
I was ecstatically happy to learn that the violin has remained in a perfect state of preservation. No misfortunes had befallen it, nor had it strayed into the insensitive, ignorant hands of callous owners or repairmen, who might have injured or destroyed its beauty and quality with unnecessary tampering and repairs.
Now this work of art, this love object, rests in your care. I hope you will enjoy the responsibility and privilege of its ownership and preserve and protect this great violin with utmost and tender loving care.
Sincerely,
Benjamin Koodlach
Benjamin Koodlach, Inc.
RARE VIOLINS - BOWS - APPRAISALS
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