click photo to enlarge Heinrich Schiff conductor/cellist

biography
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Conductor Biography

CONTACT MANAGER
Susie McLeod Manager

Jenny Ball
Assistant

Heinrich Schiff, born 1951, began playing the piano at the age of six and the violoncello at the age of ten. He studied with Tobias Kuhne in Vienna, and subsequently Andre Navarra, and made his debut as a cellist in Vienna and London in 1971. Meanwhile he attended conducting classes with Swarovsky. During the next 10 years spent establishing his career as a cellist, his interest in conducting grew through workshops and youth orchestra projects, and in 1986 he made his professional conducting debut. Since then cello performances and conducting have come to play equal roles in his career.

RELATED LINKS
Newsletter/Spring 2001:
Heinrich Schiff Paris residency

Newsletter/Autumn 1999:
Masterly Schiff

Newsletter/Autumn 1999:
Proms 1999

Newsletter/Spring 1999:
Orchestral Touring Highlights

Newsletter/Spring 1999:
International Chamber Music Season at the Queen Elizabeth Hall

Newsletter/Autumn 1998:
BBC Proms 1998

Newsletter/Autumn 1998:
Intermusica in Japan

Newsletter/Spring 1998:
A multi-talented master looks to the future

Newsletter/Spring 1998:
Record Shelf

Since 1990 Heinrich Schiff has held conducting positions with the following orchestras:
Artistic Director of the Northern Sinfonia 1990-1996, Principal Conductor of the Copenhagen Philharmonic and of the Musikkollegium Winterthur, and Principal Guest Conductor of the Deutsche Kammerphilharmonie and of the Radio Sinfonie Orchester Stuttgart. He is also much in demand internationally as a guest-conductor with orchestras such as: Philharmonia, Hallé, Orchestra of the Age of Enlightenment, many of the German radio orchestras, Munich Philharmonic, Dresden Staatskappelle, Rotterdam Philharmonic, Santa Cecilia in Rome, Oslo Philharmonic, Swedish Radio Symphony, Helsinki Philharmonic, Vienna Symphony, Camerata Salzburg, Tonhalle Orchestra Zurich, and Los Angeles Philharmonic.

Schiff has conducted productions of "The Magic Flute" (December 1992) and "Fidelio" (September 1993) at the Theatre de la Monnaie in Brussels, and "The Flying Dutchman" (1994) at the Stadttheater in Bern. He opened 2001/2 in Zurich and Winterthur with "The Merry Wives of Windsor" .

He has made a number of recordings conducting the Northern Sinfonia, the Deutsche Kammerphilharmonie, and the Philharmonia.

March 2002



Cellist Biography

Heinrich Schiff, born in 1951, began playing the piano at the age of six and the violoncello at the age of ten. Following his studies with Tobias Kühne, and subsequently André Navarra, he made his debut in Vienna and London in 1971.

For the past 25 years Heinrich Schiff has performed with all the leading orchestras in the major halls and music festivals in Europe, USA and Japan. He has worked with many of the leading conductors such as Abbado, Celibidache, Colin Davis, Dohnanyi, Eschenbach, Gielen, Haitink, Harnoncourt, Jansons, Masur, Salonen, Sawallisch, Sinopoli,Tennstedt and Welser-Möst.

Contemporary music plays an important part in his artistic work. He has collaborated, commissioned and performed many works of major contemporary composers such as Berio, Casken, Cerha, Gielen, Henze, Krenek, Lutoslawski, Penerecki, Rihm and Zender.

He has recorded all the major works of the cello repertoire ranging from Vivaldi and Haydn to Lutoslawki and Zimmermann. Apart from his prize-winning Bach Solo Suites (EMI) and Shostakovich concertos (Philips), which won the Grand Prix du Disque, Schiff has also recorded the Dvorak cello concerto with the Vienna Philharmonic (Previn), the Schumann concerto with the Berlin Philharmonic Orchestra (Haitink), and the Brahms Double Concerto with Frank Peter Zimmermann and Sawallisch (Deutscher Schallplattenpreis). In 2000 Philips released the complete works for cello and piano by Beethoven with Till Fellner to huge critical acclaim.

For the last 15 years Heinrich Schiff has dedicated half his artistic activities to conducting. He has conducted major orchestras such as the Los Angeles Philharmonic, Philharmonia, Dresden Staatskapelle, Munich Philharmonic among many others. He has also held positions as Chief/ and Principal Guest Conductor with the Deutsche Kammerphilharmonie, Northern Sinfonia, Copenhagen Philharmonic, Stuttgart Radio and Musikkollegium Winterthur.

Heinrich Schiff plays "The Mara" (Stradivarius 1711) and "The Sleeping Beauty" (Montagnana 1739).

August 2001

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cello & conducting programmes
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Haydn: Cello Concerto
INTERVAL
Bruckner: Symphony no.4, Bruckner: Symphony no.7, Mahler: Symphony no.1, Mahler: Symphony no. 4, or Beethoven: Symphony no. 3 ‘Eroica’


Haydn: Cello Concerto
Schreker: Chamber Symphony
INTERVAL
Mahler: Adagio from Symphony no. 10, Mahler: Totenfeier, Beethoven: Symphony no. 5, or Schubert: Symphony no. 8 ‘Unfinished’


Haydn: Cello Concerto
Lutoslawski: Musique Funebre
INTERVAL
Brahms: Symphony no. 2


Haydn: Cello Concerto
Lutoslawski: Musique Funebre or Beethoven: Symphony no. 4
INTERVAL
Beethoven: Symphony no. 5


Saint-Saëns: Cello Concerto no. 1
Schreker: Chamber Symphony
INTERVAL
Nielsen: Symphony no. 2


Saint-Saëns: Cello Concerto no. 1
Ravel: La Valse or Dvorak: Carnival
INTERVAL
Prokofiev: Romeo and Juliet


Saint-Saëns: Cello Concerto no. 1
INTERVAL
Tchaikovsky: Symphony no. 6


Saint-Saëns: Cello Concerto no. 1
Schnittke: Concerto Grosso or Lutoslawski: Symphony no. 4
INTERVAL
Stravinsky: The Firebird



Other repertoire / combinations are possible in consultation with the artist

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discography
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view complete discography here (Microsoft Word)

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reviews
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Schiff the conductor:

He gave Bruckner’s music a refreshing sense of musical necessity.
Stuttgart Radio Symphony/Bruckner Festival Linz/Bruckner 2

Schiff looks and moves like a born leader, his confidence and authority occupy a high level, and he commands an irrepressible personality in front of an orchestra.
Schiff is the real thing on the podium…his Beethoven was lean and muscular, with the orchestra hair-trigger responsive.
Los Angeles Philharmonic/Haydn, Beethoven, Zimmermann

He is an inspirer in whatever he does..one of the most invigorating Beethoven concerts I have heard in years.
Guardian

This was a performance which lived on its nerves: for every note and phrase was freshly and excitingly re-examined and re-inflected.
Daily Telegraph

An all-Beethoven programme that out-Norrington’d Norrington in vigour, interest and articulated joy. Driven (but not pummelled) by a muscular beat that sculpted strong and sharply punctuated phrasing, it offered an Eroica Symphony that the most ditinguished Beethovenian, period or otherwise, would have been proud of…completely, irrefutably convincing.
Independent, Orchestra of the Age of Enlightenment, Beethoven.



Schiff the cellist:

Masterful intellectual command of the music’s structure, which permeates all his recordings, without sacrificing the expressive content…and a version of the Bach Cello suites yet to be bettered on modern instruments.
"Virtuoso cellists", Classic CD

Schiff is a performer who brings intellectual rigour to a fine technique, putting every phrase under the microscope, yeilding fresh and inventive renditions…The finale is perhaps the crowning achievement of this version – a stunningly joyous account where even the slightest nudge to a phrase is perfectly attuned.
Vienna Philharmonic/Previn/Philips, Dvorak concerto (Classic CD Collector’s Choice)

No living cellist can match Schiff for the velvet suavity of his sound…One of the Brahms year’s finest discs.
London Philharmonic/Sawallisch, Zimmermann/Brahms Double Concerto/EMI (Sunday Times)

A Schubert B flat trio that touched divinity; music-making of the highest order.
Trio Fellner/Zehetmair/Schiff at Edinburgh Festival, Beethoven, Webern, Schubert

Unmissable Beethoven…Schiff’s playing was intensely involving, his warm, perfectly judged sense of line always in ideal balance with the music’s classical poise and structural symmetries.
Fellner/Schiff at Wigmore Hall, Beethoven complete sonatas (Daily Telegraph)

Playing as true to the spirit of Bach as you could hope to hear.
Bach solo suites, Wigmore Hall

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