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Steven Tharp, tenor...


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February 2012

Whether performing Bach or Rorem, Wagner or Donizetti, Steven Tharp convinces critics and audiences alike that the work at hand is his specialty. Opera News has praised the "bel canto flexibility and sweetness" of his voice. Will Crutchfield in The New York Times wrote: "He can handle the coloratura of Mozart and Rossini (including real trills) at a level that was simply not available from tenors 30 years ago and is still rare."

Steven Tharp returns to the Reisopera for his fifth production, having previously appeared in Opera Seria, Boris Godunov, Les Contes d’Hoffmann and Snow White. He has performed as well with the Metropolitan Opera, New York City Opera, Netherlands Opera, the Badisches Staatsoper in Karlsruhe, the Teatro Massimo (Palermo), the Netherlands Reisopera, Glimmerglass Opera, Opera Pacific, the Minnesota Opera, Skylight Opera, Bel Canto at Caramoor, and the companies of Dallas, Houston, Seattle, Memphis, Omaha, Salt Lake City and Miami. In addition to the major tenor parts of Mozart and Handel, his more than 50 operatic roles include Jaquino in Fidelio, Nemorino in L’Elisir d’Amore, David in Die Meistersinger, and Lysander in Midsummer Night’s Dream. Mr. Tharp has a special interest in lesser-known 18th and early 19th Century opera, and has taken roles in Gluck’s Les Pèlerins de la Mecque, Haydn’s L’Isola Disabitata and L’Infedeltà Delusa, Scarlatti’s Gli Equivoci nel Sembiante, Conti’s Don Quixote in Sierra Morena, Grétry’s Zémire et Azor, and Schubert’s Alfonso und Estrella.

Mr. Tharp has appeared in concert with orchestras worldwide, including the New York Philharmonic, Chicago Symphony, Philadelphia Orchestra, Royal Philharmonic, Cleveland Orchestra, Cincinnati Symphony, Colorado Symphony, Vancouver Symphony, St. Louis Symphony, Chicago Music of the Baroque, and American Bach Soloists, under conductors including Sir Georg Solti, Daniel Barenboim, Kurt Masur, Charles Dutoit, Valery Gergiev, Christoph von Dohnanyi, Stanislaw Skrowaczewski, James Conlon, Marin Alsop, JoAnn Falletta, Alan Gilbert and Jane Glover.  His concert repertoire extends from Monteverdi to John Musto, includes the masterpieces of the 18th and 19th century — the Bach passions, the masses of Mozart, Beethoven, and Schubert, the oratorios of Handel, Haydn, and Mendelssohn — and extends to Elgar’s Dream of Gerontius, Schönberg’s Gurre-Lieder, the Verdi Requiem, and Britten’s War Requiem.

Recitals have also been a constant and important feature of Mr. Tharp’s career. At the New York’s Metropolitan Museum of Art he collaborated with Will Crutchfield in two series, The World of Schubert’s Songs and The World of Heinrich Heine. He has also appeared in recital at the 92nd Street Y, Carnegie’s Weill Hall, the Bard Festival, Caramoor, Newport Chamber Music Festival, Carmel Bach Festival, the New York Festival of Song and venues in Europe, Japan and South America.

Mr. Tharp has recorded for Decca, Delos, Newport, Albany and Naxos. His world-premiere recording of the complete songs of Edward MacDowell, accompanied by the late James Barbagallo, earned a Grammy Award nomination, and his recording of Frank Martin’s Le Vin Herbé was an "Editor’s Choice" in Opera News. Albany released his recording of Vaughan-Williams’ On Wenlock Edge with the Ciompi Quartet, and he can be heard on a Delos release of Handel’s Messiah with the American Bach Soloists. Mr. Tharp’s live recording of Schubert’s Schwanengesang, with the Dutch pianist Jan-Paul Grijpink has just been released, and a CD of Fauré songs will be issued in 2011.

Season 2011/12 brings return engagements to the National Symphony of Mexico with Beethoven’s Symphony No. 9 and the Louisiana Philharmonic in Mozart’s Requiem, among other engagements.

During the 2010/11 season, Steven Tharp returned to the Reisopera for his fifth production, having previously appeared in Opera Seria, Boris Godunov, Les Contes d’Hoffmann and Snow White. He also debuted with the Florida Symphony in performances of Beethoven’s Ninth Symphony, and returned to the National Symphony of Mexico and Washington’s Kennedy Center. Furthermore, he directed a production of H.M.S. Pinafore at the Caramoor Festival in New York. Upcoming engagements include Mozart’s Requiem with the Louisiana Philharmonic and Symphony No. 9 by Beethoven with Mexico’s National Symphony.

 



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o p e r a
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click here to read Steven Tharp's opera repertoire (MS Word)



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o r c h e s t r a
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click here to read Steven Tharp's orchestra repertoire (MS Word)



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Metropolitan Museum of Art: The World of Schubert's Songs (six recitals)

Metropolitan Museum of Art: The World of Heinrich Heine (two recitals)

Newport Chamber Music Festival (Beethoven, Rossini, Schumann, De Falla,
Tchaikovsky)

Weill Recital Hall (Schubert)

Caramoor Festival (Schumann, Fauré, Rachmaninoff)

New York Festival of Song (Brahms, Rorem, New American Songs)

Badisches Staatstheater Karlsruhe (Schubert, American Songs)

Moab Music Festival (Rorem: Evidence of Things Not Seen)

Takasaki Arts Festival, Japan (Schubert: Die Schöne Müllerin)

Carmel Bach Festival (Purcell)

Monadnock Festival (Buxtehude, Schubert, Schumann, Vaughan-Williams)

Clarion Concerts (Steffanni, Strozzi, Mozart, Schubert, Italian Songs,
Irving Berlin)

92nd Street Y (Schubertiade)

Provincetown Music (De Gaetano)

Currier Gallery of Art, New Hampshire (Schubert, Schumann)

Bar Harbor Music Festival (Beethoven, Schubert, Vaughan-Williams)

Trinity Church, NY (Berlioz, Duparc, Chausson)

Church of the Ascension, NY (Schumann, Wolf, Britten)

Long Island University, NY (Schubert)

Drury College, Missouri.(Schubert, Fauré, Gershwin)


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"A remarkable tenor who sings German lieder like a native" - Peter G. Davis in New York magazine

"He can handle the coloratura of Mozart and Rossini (including real trills) at a level that was simply not available from tenors 30 years ago and is still rare" - Will Crutchfield in The New York Times

"A tenor of a bright, clear voice, appealing style, just suited for classical and early romantic repertory." - Robert Commanday, S.F.Chronicle

"Tharp's voice is spectacular. 'Una furtiva lagrima' brought down the house" - Springfield (Mass) Union News

"Steven Tharp was an ideal Tristan [in Le Vin Herbé] - strong, free, and forward in tone, verbally sure, lyrical in utterance" - Andrew Porter

"The most comforting 'Comfort Ye' imaginable. Tharp's voice has the agility, the quickness, the lyricism and the power to render the music pure, direct and natural. At the end, where another soloist might be glad to have arrived in one piece, Tharp added one more baroque ornament for good measure." - The Augusta Chronicle

"In the title role we were introduced to an excellent young American tenor, Steven Tharp, who spoke almost as winningly as he sang" - Max Loppert in the Financial Times [London]

"A lyrical tenor of refined vocal style . . . faultlessly clear" - Badisches Neueste Nachrichten (Karlsruhe)

"Tharp sang with bel canto flexibility and sweetness" - Opera News

"He thrilled all with his blazing high register" - Newark Star-Ledger

"Tharp was the great discovery. A smoothly beautiful 'Comfort Ye' and effortlessly spectacular 'Ev'ry valley' let the audience know from the start that the music was in good hands" - Philadelphia Main Line Times

"The lieder had the effect of entering a cozy room . . . his phrasing radiated thoughtfulness" - Badisches Neueste Nachrichten

"Tharp's ringing and commanding tones could - and did - mellow to wistful pain and longing" - Richard Binder in The [NH] Telegraph

"Particularly impressive is tenor Steven Tharp as Victor Frankenstein, projecting his words with clarity, excellent tone and strong emotional impact and interacting superbly with the monster." Joseph McLellan in The Washington Post

"There were some strong voices in the cast, most notably Steven Tharp . . . firm but human" Allan Kozinn in The New York Times

"His performance won loud applause and bravos . . . every word was clear" - The Raleigh News and Observer

"Mature Mozart ['Misero! o sogno'] was represented by Steven Tharp in a vigorous, well-supported tenor voice and with dramatic force, especially on top." - The [Danbury] News-Times

"The program . . . featured a particularly stylish contribution from tenor Steven Tharp" - Stephen Wigler in the Baltimore Sun


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