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Christopher Pfund, tenor...


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January 2012

Universally recognized for his irreverent portrayals of the Roasting Swan in Carmina Burana, tenor Christopher Pfund has made the role a pillar of his career, performing it with countless major orchestras in North America. The Milwaukee Journal Sentinel admired his "rounded vocal beauty" and The New York Times called his voice an "attractive tenor [that] helps define a sympathetic character." While best known for his oratorio work with orchestra, Pfund has also enjoyed success on the opera stage, including Glimmerglass Opera (Bardolfo in Falstaff), New York City Opera (Emilio in Handel’s Partenope) and Florentine Opera as Pong in Turandot, to name a few.

Among Pfund’s concerts in 2011/12 figure return engagements with the Indianapolis Symphony and Nashville Symphony, both in Carmina Burana, as well as a Messiah with the Peniel Concert Choir.

His 2009/10 season featured Carmina Buranas with the Cleveland Orchestra, Jacksonville Symphony and Brazil’s Philharmonic of Minais Gerais (the latter two with Fabio Mechetti as conductor).

The 2008/09 season brought his debut with the Pittsburgh Symphony under Manfred Honeck in Carmina Burana, a repeat of the work with the Fort Wayne Philharmonic and Reading Symphony followed, as well as a performance of Messiah with the Rochester Philharmonic, and another portrayal of Pong, this time with the Jacksonville Symphony.

2007/08 was one of Pfund’s biggest seasons, performing Carmina Burana with the Philadelphia Orchestra (Philadelphia, Vail, CO and Saratoga, NY), Colorado Symphony, Houston Symphony, Florida Orchestra and at the International Festival Cesky Krumlov with the Prague Radio Symphony in addition to Haydn’s Creation with the Louisiana Philharmonic.

Previous seasons saw him collaborate repeatedly with the orchestras of Spokane, Hartford, Alabama, Memphis, Pacific, San Diego, Colorado, Jacksonville, and Monterey, all for Carmina Burana. Another one of his signature pieces, Handel’s Messiah was performed with the Buffalo and Virginia symphonies under JoAnn Falletta as well as the Syracuse Symphony and the National Arts Centre Orchestra. He also worked with Gerard Schwarz in Kurt Weill’s Eternal Road under the auspices of the Milken Family Foundation.

On the operatic side he has portrayed Sempronio in Haydn’s Lo Speziale with the Orchestra of St. Luke’s, Pong in Puccini’s Turandot with El Paso Opera, New Jersey State Opera, and the Florentine Opera, Tonik in Smetana’s The Two Widows with the Chautauqua Opera and the New York City premiere of Ernst Krenek’s Vertrauenssache with Elysium between Two Continents.

Pfund has recorded the title role in Britten’s Albert Herring on the Vox label and Distant Playing Fields: Vocal Music of Amy Beach and William Maye on Newport Classics.

A Colorado native, Christopher Pfund holds degrees from both the University of Northern Colorado and Manhattan School of Music. He was an opera apprentice with the Santa Fe, Glimmerglass and Chautauqua operas, and was a 20th Century Song Recitalist at the Banff Centre.




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click here to read Christopher Pfund's resume (MS Word)


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OPERA

Argento – Postcard from Morocco – Lyric Tenor

Bizet – Les Pecheurs de Perles – Nadir
Bizet – Carmen – El Remendado

Britten – Albert Herring – Albert

Donizetti – L'Elisir D'amore – Nemorino
Donizetti – Don Pasquale – Ernesto

Laio – Nellimbarazzo – Pipetto

Floyd – Of Mice and Men – Ballad Singer

Handel – Partenope – Emilio

Haydn – Lo Speziale Sempronio

Menotti – Amahl and the Night Visitors – King Kaspar

Mozart – Bastien und Bastienne – Bastien
Mozart – Entführung aus dem Sarail – Pedrillo
Mozart – Le nozze di Figaro – Don Curzio
Mozart – Die Zauberflöte – Tamino

Offenbach – Les Contes d'Hoffmann – Nathanael

Puccini – Gianni Schicchi – Rinuccio
Puccini – Turandot – Pong
Puccini – Tosca – Spoletta
Puccini – Madama Butterfly – Goro

Rossini – Le Comte Ory – Ory

Smetana – Two Widows – Tonik

Stravinsky – The Rake's Progress – Tom Rakewell

Verdi – Falstaff – Fenton, Bardolfo

Weisgall, Hugo – Six Characters in Search of An Author – Unmentionalble Sin


ORATORIO

Bach – St. Matthew Passion, BWV 244 – Evangelist, Tenor Solos
Bach – Christmas Oratorio, BWV 248
Bach – Mass in B Minor, BWV 232
Bach – Cantata 189 Solo Cantata

Berlioz – Requiem

Bernstein – Mass – Selected Tenor Solos

Britten – Rejoice in the Lamb
Britten – Spring Symphony
Britten – Serenade for Tenor and Horn – Orchestral Song Cycle
Britten – Nocturne – Orchestral Song Cycle

Handel – Messiah

Haydn – The Creation
Haydn – Lord Nelson Mass
Haydn – Mass in Time of War

Holmes – Stabat Mater

Mendelssohn – Elijah

Mozart – Requiem

Orff – Carmina Burana

Scarlatti – Su le sponde del Tebro – Solo Cantata

Schubert – First Mass in F



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